Release dates:
- November 10th: Bad As Me
- November 24th: Real Gone, Alice and Blood Money
- December 1st: Glitter & Doom
A similar repackaging of Orphans: Brawlers, Bawlers & Bastards, is planned for 2018.
This dramatic music video is a visual reflection of Waits’s cool, manic, odd-ball persona. The video’s black and white contract is enhanced by stark lighting and its off-the-cuff style.
Go to Tom Waits.com right now and sign up for the mailing list so that you can be one of the first people to hear his new record ‘Bad As Me’ beginning Monday October 17th.
Bad As Me is Tom Waits’ first studio album of all new music in seven years. This pivotal work refines the music that has come before and signals a new direction. Waits, in possibly the finest voice of his career, worked with a veteran team of gifted musicians and longtime co-writer/producer Kathleen Brennan. From the opening horn-fueled chug of “Chicago,” to the closing barroom chorale of “New Year’s Eve,” Bad As Me displays the full career range of Waits’ songwriting, from beautiful ballads like “Last Leaf,” to the avant cinematic soundscape of “Hell Broke Luce,” a battlefront dispatch. On tracks like “Talking at the Same Time,” Waits shows off a supple falsetto, while on blues burners like “Raised Right Men” and the gospel tinged “Satisfied” he spits, stutters and howls. Like a good boxer, these songs are lean and mean, with strong hooks and tight running times. A pervasive sense of players delighting in each other’s musical company brings a feeling of loose joy even to the album’s saddest songs.
Chicago
Raised Right Men
Talking At the Same Time
Get Lost
Face to the Highway
Pay Me
Back In the Crowd
Bad As Me
Kiss Me
Satisfied
Last Leaf
Hell Broke Luce
New Year’s Eve
She Stole the Blush
Tell Me
After You Die
There have been rumblings and rumors. New music from Tom Waits, you say? Come to TomWaits.com on Tuesday August 23rd, and Mr. Waits himself will set the record straight.
